Dear, readers; welcome to Letters From Liz!
The time has come to write possibly one of the most important posts for Lizmas each year! Fun fact about this particular post: This is something I work on throughout the year. I make sure that if I come across a bomb album in the duration of the year, I write it down to remember to include it for this post.
It’s my Top 5 Albums of 2024!
For 2021, it was no surprise that Victon’s full-length album, VOICE: The Future is Now, was on the top of my list. For 2022, Demi Lovato took first place with her no-skip rock album, Holy Fvck. Last year, Kpop took their throne back on my list with New Jeans’ Get Up taking the number one spot! This year, I think my Top 5 has come down to a very interesting set of albums that honestly, I didn’t think would even come across my way this year.
Without further ado, here’s my top 5 albums of 2024!
5.) Sabrina Carpenter – Short n’ Sweet
It’s no surprise that 2024 was the year of Sabrina Carpenter. She skyrocketed to mainstream when her witty outros of Nonsense went viral on social media and adapted to this vintage, lacy, pastel image that has set her apart from the other rising pop stars of the year. When she released her first single of the year, “Expresso”, during the weekend of Coachella, the world went into a frenzy. It was the perfect song to start off the Summer and in many people’s opinion, was the Unofficial song of the summer. Her album, Short n’ Sweet ended the summer and did not disappoint. While she has some cheeky songs like “Juno” and “Bed Chem” on the album, I feel like her songs were very country influenced, which wasn’t my cup of tea at first. The songs definitely grew on me, the same way that “Please Please Please” became one of my favorites on the album. It’s no surprise that she dominated the music industry this past year, and it was so deserving considering the decade long career she has had already.
4.) Charli XCX – brat
Come on, it was a brat summer this year, and it was a damn good reason why it was! Just like Sabrina Carpenter, Charli XCX has been in the music industry for a decade now and was well known for being the features for Iconia Pop’s “I Love It” in 2012 and Iggy Azalea’s “Fancy” in 2014. She was also the featured singer in John Green’s book-to-movie adaption of The Fault in Our Stars with “Boom Clap”. She has been in the scene for quite some time now, but when brat was released early in the summer, it was officially declared a “brat summer” with hits like “360/365”, “Apple”, and the many remixes that came after its initial release. I wasn’t the biggest fan of this album when it first came out, but it was only after I got hooked on “365” when I started to branch out to the rest of the album. Currently, I am loving “Sympathy is a knife” after enjoying the remix she came out with Ariana Grande not too long ago. It was a different sound in the world of the mainstream Top 40 music; it brought back a nostalgic sound from the early 2010’s when dance music was popular. The album has a whole was a pop cultural moment; everyone had lime green backgrounds with black Arial font wording on it. (I kid you not, the Bertha Harris Women’s Center at the college I work at currently has a brat-inspired album with the words “bertha” in the middle. Iconic.
3.) LE SSERAFIM – CRAZY
Of course, we have some k-pop on the list! I feel like for die-hard k-pop fans, this was a good year in music. Sure, I have my opinion on how over saturated the genre has become, but for the groups that I still follow and enjoy, some of them definitely flew on the top of my list. LE SSERAFIM is a 5-member girl group in 2022 under Source Music, a subsidiary to HYBE Labels. The members include Chaewon, Sakura, Yunjin, Kazuha, and Eunchae. This year was a busy one for the group; having released two EPs and their first English single, “Perfect Night”. Personally, it had been awhile since I actually liked a release that the group put out. Their 3rd EP, EASY, was not my cup of tea and possibly my least favorite of their discography. I didn’t have high hopes when they announced they would be releasing their 4th EP at the end of August, but boy was I wrong. LE SSERAFIM always had this “fashion model” concept since their debut, and this album ties together that concept with the storyline they also have tied to it as well. Besides aespa’s “Supernova” and “Whiplash”, “CRAZY” was the k-pop baby of brat. All the songs are unique in their own way (“Pierrot” being the outshining underdog that should’ve been promoted as a b-side, but who am I to say what to do) but they all sound… well, crazy. I really enjoyed this creative direction that the girls had for this album; so much that this was their first physical album of the groups’ for my collection. It was THAT good.
2.) NewJeans – How Sweet & Supernatural
Woo! The second year that this group has been in my Top 5 because I am still personally hooked on the style and sound these five girls bring. Although with the recent news (after months of feuding between the two CEOS of the labels) of NewJeans terminating their contracts with ADOR; a subsidiary under HYBE labels, I guess you can say that these two albums were their “disbandment” albums. They aren’t disbanding! Just… without a label at the time I am writing this. Anyway, How Sweet was the title track of their 2nd single album of the same name, and “Bubble Gum” was the accompanied b-side. “Bubble Gum”, like I mentioned in my mid-point roundup of top songs, has such a nostalgic and bright feel to it and really wish that it was the title track instead. It was hands down my favorite song of 2024, and wish it got the same love that their previous releases did.
A couple of months after having their Korean comeback, NewJeans ventured out to debut in Japn with their first Japan single album, Supernatural. Now, I’m not one to really enjoy Japan releases from K-pop groups solely due to the fact that (obviously) their sound is changed to target a different audience. Some groups stay true to their concept, and NewJeans was a prime example. This new jack swing inspired beat really makes me feel like I’m watching the intro of an early 90’s sitcom (which they actually pay homage to in their music video). Again, this song was so incredibly good, but I feel like with everything that was going on with the group and their labels, these gems were overlooked to the general public. These girls, being possibly one of the biggest girl groups to be recognized in both the genre and general public in 4th generation k-pop, made a gutsy move to stand up for what they believe in (despite what people think of their decisions). I hope that the group is able to continue making music together because, well… hate to break it to the community, but they were one of the first groups at their time to change the sound of K-pop music and do it in a way that was unconventional to the formula that entertainment agencies generated for their K-pop groups.
1.) Chappell Roan – The Rise and Fall of a Midwest Princess
It’s been a long time since a debut album of an artist truly was a straight-up masterpiece. They are truly a dime in the dozen; many artists coming out with a discography of music for the first time heavily rely on the music that is given to them that got tossed around different artists before it landed on their laps. Sure, some artists get the privilege to make the music their own by writing and composing it; Chappell Roan was a part of the entire process of her debut album and it shows tremendously. Chappell Roan, although did not start out being on television like Sabrina Carpenter or featured in big summer songs like Charli XCX, was literally just some normal girl in the Midwest making music about her experiences for the past decade. Born and raised in a small town in Missouri, Chappell Roan (which is her stage name as a nod to her grandfather’s last name and his favorite song, “The Strawberry Roan” by Curley Fletcher. She quickly gained a following after her first few songs (which were then added to this album) like “Pink Pony Club”, “Casual”, and “Naked in Manhattan”, and was even invited to be an opener for Olivia Rodrigo’s tour for her debut album, Sour. Both Roan and Rodrigo worked with the same producer for their debut albums, but when it came to working on Chappell’s album, it unintentionally needed to be placed on the back burner due to the overnight success Olivia go when “drivers license” was released in 2021. But hey; good things come to those who wait!
Chappell Roan’s debut album is a no-skip album. There isn’t a single bad song on this album and it covers pretty much very emotion you can possibly think of. It also covers just about every type of pop music subcategory you can think of, which is so hard for an artist to successfully do these days. I think that just plays on Roan’s aesthetic and image; she draws inspiration from theatrics and drag queens in her wardrobe, making music that sounds like you’re listening to it in a car ride in the 80’s (I’m talking about “HOT TO GO!” obviously). I also can’t describe how or why my brain makes this connection, but “Super Graphic Ultra Modern Girl” is the song that Hannah Montana would’ve sang later in her career (Hannah, NOT Miley. You get me?) In a nutshell, her album made me a fan of her as an artist. She was not wrong when she said she’s your favorite artist’s favorite artist (inspired by Sasha Colby’s quote). I’m excited to hear what her sophomore album is going to look and sound like; something tells me it’s not going to disappoint.
And that’s it! I feel like this was the year that I started to get back into mainstream music (kinda) and strayed away from just listening to K-pop. I’m excited to see how this list looks like in 2025!
Letters From Liz. 